金三角的自我言说与他者想象：基于缅甸本土与香港贩毒电影的叙事模式与文化逻辑比较研究

金三角的自我言说与他者想象：基于缅甸本土与香

港贩毒电影的叙事模式与文化逻辑比较研究

邹玓朔¹

（1.广西大学，广西南宁 530000）

【摘要】金三角是全球影视边境与毒品叙事的重要符号，现有研究多聚焦西方及主流华语电影对其的他者化塑造，长期遮蔽了缅甸本土影像表达。本文以缅甸与香港贩毒题材电影为对比样本，结合后殖民理论、电影类型学与叙事学，从叙事视角、人物、空间、情节四维度展开文本分析，探究两地金三角叙事的差异及背后的文化逻辑。研究发现，缅甸电影以创伤内景叙事，将毒品视作本土社会内生伤痛，聚焦生存与伦理困境；香港电影以奇观外景叙事，把毒品塑造成外部之恶，核心围绕秩序征服展开。二者分别对应自我历史化言说与他者奇观化建构的文化对峙，折射出两地不同的社会历史境遇与身份认知。本研究通过跨地域比较视角，丰富了后殖民影视批评案例，打破了金三角的刻板影像，为全球化不平等话语传播提供了媒介批判维度。

【关键词】后殖民电影批评、文化逻辑、比较电影研究、金三角

Self-Representation and Hetero-Imagination of the Golden Triangle: A Comparative

Study on Narrative Patterns and Cultural Logicsin Indigenous Burmese and Hong

Kong Drug-Trafficking Cinema

Zou Yushuo¹

(1. Zou Yushuo Guangxi University, Nanning, Guangxi,China)

[Abstract] As a vital symbol of global cinematic borderlands and drug-related narratives, the Golden Triangle has been largely examined in existing scholarship for its otherized representation in Western and mainstream Chinese-language films, while indigenous Burmese audiovisual expressions have long been marginalized. Taking Burmese and Hong Kong drug-trafficking films as comparative samples, this paper conducts textual analysis across four dimensions — narrative perspective, characters, space and plot — drawing on post- colonial theory, film typology and narratology. It explores the divergences between the two regions’ narratives of the Golden Triangle and the underlying cultural logics. The study finds that Burmese films adopt an inward-looking trauma narrative, framing drugs as an endogenous wound of local society and centering on existential and ethical dilemmas. By contrast, Hong Kong films deploy a spectacular outward-looking narrative,constructing drugs as an external evil revolving around the conquest of order. The two bodies of work constitute a cultural confrontation between historicized self-representation and spectacular hetero-imagination, reflecting distinct socio- historical contexts and identity perceptions of the two locales. Adopting a cross-regional comparative perspective, this research enriches case studies for post- colonial film criticism, dismantles stereotyped imagery of the Golden Triangle, and offers a media- critical dimension for studying the dissemination of unequal global discourses. 

[Keywords]post- colonial film criticism、cultural logics、comparative film studies、the Golden Triangle

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