巴蜀方言电影的后现代叙事及其影像地方感塑造

巴蜀方言电影的后现代叙事及其影像地方感塑造

曹忠¹

（1.西南大学文学院，重庆 400715）

【摘要】近年来，以四川与重庆方言为主体的巴蜀方言电影受到学界和市场广泛关注。在这些电影中，方言早已超脱了固有语言地理学意义，而成为导演后现代叙事及其影像地方感塑造的核心手段。本文通过对《无名之辈》《疯狂的石头》《巫山云雨》等巴蜀方言电影的分析，一方面揭示其方言在影像后现代叙事中的地域文化特质呈现，另一方面探讨后现代叙事中方言电影在影像地方感塑造上的作用。

【关键词】巴蜀方言电影；后现代叙事；影像地方感；身份认同

Postmodern Narrative and Cinematic Sense of Place in Bashu Dialect Cinema

Cao Zhong

(1.College of Liberal Arts, Southwest University, Chongqing 400715)

[Abstract] In recent years, Bashu dialect cinema, which uses Sichuan and Chongqing dialects as its primary linguistic medium, has attracted extensive attention from both academia and the market. In these films, dialect has long transcended its conventional linguistic-geographical significance, becoming the core means through which directors construct postmodern narratives and shape a cinematic sense of place. Through analysis of representative Bashu dialect films such as A Cool Fish, Crazy Stone, and Clouds Over Wushan, this paper, on the one hand, reveals how dialect presents regional cultural characteristics within postmodern cinematic narratives, and on the other hand, explores the role of dialect cinema in shaping the cinematic sense of place within postmodern narrative frameworks.

 [Keywords] Bashu dialect cinema; postmodern narrative; cinematic sense of place; identity recognition

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