“艺道”的银幕显影：沟口健二电影中的艺术与艺术家

“艺道”的银幕显影：沟口健二电影中的艺术与艺术家

韩小雪¹

(1.塔里木职业技术学院，新疆生产建设兵团第一师阿拉尔市 843300)

【摘要】沟口健二电影中反复出现一个核心主题：对传统技艺的执着追求。以《残菊物语》《浪花女》《一个演员的生涯》为中心，结合《歌女五美图》等作品，系统考察其“艺道”主题的多重面向，从技艺修习、师徒承传，到艺术与世俗生活的冲突，最终升华为以生命献祭艺术的极致命题。沟口健二通过对技艺追求者的反复书写，在银幕上形成了一种嵌套叙事结构，对“艺术何为”做出影像化的回应：剧中人物对传统艺能的献身，与导演本人对电影艺术的献身互为镜像。这一“艺道”书写本质上是一种文化转译，将传统艺能中的“艺道”精神迁移至电影这一现代媒介，沟口本人则以近乎“艺道”式的严苛态度对待创作，使他的‘艺道’电影升华为关于电影艺术自身的自反性表达，即影片在讲述传统艺道故事的同时，也在回指自身的电影创作实践。

【关键词】沟口健二；艺道；嵌套叙事；文化转译；作者论

The Cinematic Revelations of“Geido”: Art and the Artist in the Films of Kenji

Mizoguchi

Han Xiaoxue¹

（1. Han Xiaoxue Tarim Vocational and Technical College, Aral City, 1st Division of Xinjiang Production and Construction Corps,China)

[Abstract] A core theme repeatedly emerges in Kenji Mizoguchi ’s films: the relentless pursuit of traditional artistry. Focusing on The Story of the Last Chrysanthemums, Naniwa Onna, and The Life of an Actor, along with works such as Utamaro and His Five Women, this study systematically examines the multifaceted theme of “Geido”(芸道, the way of art), tracing its trajectory from rigorous training and generational transmission to the conflict between art and worldly life, which ultimately culminates in the ultimate proposition of sacrificing one’s life for art. Through his repeated depiction of devoted artisanship, Mizoguchi constructs a nested narrative structure on the screen, offering a cinematic response to the question“what is art”: the characters’ dedication to traditional artistry mirrors the director ’ s own dedication to the art of cinema. Essentially a cultural translation, Mizoguchi's“ Geido ” cinema transfers the ethos of traditional Geido into the modern medium of film. His own rigorous, almost Geido-like dedication to filmmaking elevates these works into a self-reflexive discourse on cinema as an art form: while recounting stories of traditional Geido practitioners, they simultaneously refer back to his own filmmaking practice.

 [Keywords] Kenji Mizoguchi; Geido; nested narrative; cultural translation; auteur theory

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