论综合材料绘画中的物性自觉与精神返乡

论综合材料绘画中的物性自觉与精神返乡

汪雨¹

(1.清华大学,北京市海淀区 100084)

【摘要】本文从艺术哲学的本体论方面开始，去探讨综合材料绘画是怎样从一种形式实验，变成当代艺术里有高度哲学自觉的“物性实践”。综合材料创作在当代中国的发展，不是简单的媒介扩展，而是表现出三个相互关联、层层递进的精神维度。第一个方面是“物性觉醒”——从对材料的物质特性的认识，上升到对其“物格”的哲学自觉。第二个方面是“生命融入”——艺术家把个人的生命体验、情感记忆和血脉认同，融入到材料转化的过程中。第三个方面是“精神返乡”——在全球化和数字化的双重影响下，通过材料的“在地性”和“手感”经验，重新找回东方美学中“物我合一”的精神传统。本文把东方哲学中“格物致知”的思想、西方现象学关于“身体在世”的理论，还有现代心理学中的“具身认知”学说结合起来，对梁绍基、尚扬、王怀庆、胡伟等当代艺术家的创作实践进行分析，去探寻东方艺术家不朽的艺术风格和追求，尝试揭示综合材料绘画藏在物质表面之下的当代人寻求精神回归的文化密码。

【关键词】综合材料绘画；物性；生命体验；精神性；物我合一；东方美学

On the Self-Awareness of Materiality and Spiritual Homecoming in Mixed Media

Painting

Wang Yu¹

(1.Wang Yu Tsinghua University, Haidian District, Beijing, China)

[Abstract] This paper begins from the ontological dimension of art philosophy to explore how mixed media painting has evolved from a formal experiment into a "materiality practice" imbued with a high degree of philosophical self-awareness in contemporary art. The development of mixed media creation in contemporary China is not merely a simple expansion of media, but manifests three interconnected and progressively deepening spiritual dimensions. The first dimension is the "awakening of materiality" — rising from an understanding of the physical properties of materials to a philosophical self-awareness of their "material dignity." The second dimension is the "integration of life" — where the artist merges personal life experiences, emotional memories, and bloodline identity into the process of material transformation. The third dimension is "spiritual homecoming" — under the dual influence of globalization and digitalization, through the "locality" and "tactile" experience of materials, the spiritual tradition of "unity of things and self" in Eastern aesthetics is rediscovered. This paper integrates the Eastern philosophical concept of "investigating things to attain knowledge," the Western phenomenological theory of "the body in the world," and the modern psychological theory of "embodied cognition" to analyze the creative practices of contemporary artists such as Liang Shaoji, Shang Yang, Wang Huaiqing, and Hu Wei. It seeks to explore the enduring artistic style and pursuits of Eastern artists, and attempts to reveal the cultural code hidden beneath the material surface of mixed media painting — the contemporary human quest for spiritual return. 

[Keywords] Mixed Media Painting; Materiality; Life Experience; Spirituality; Unity of Things and Self; Eastern Aesthetics

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