AIGC 时代纪录片创作的“集置”困境与真实性重构

AIGC 时代纪录片创作的“集置”困境与真实性重构

汪萌¹

（1.西北师范大学，甘肃兰州 730000）

【摘要】人工智能时代 AIGC 技术的爆发式迭代推动纪录片创作进入“人机协同、虚实交融”的全新发展阶段。在此背景下，以海德格尔技术批判哲学为理论视角，系统审视 AIGC 技术与纪录片创作的深层耦合关系，指出 AIGC 的技术本质契合海德格尔所提出的“集置”（Ge- stell）存在方式，以促逼性逻辑将世间万物转化为可供计算、调度与使用的“持存物”（Bestand），进而引发纪录片真实性的三重解构，即影像“索引性”关联断裂导致拟真与现实脱节、创作主体性被技术逻辑深度异化、人本伦理失衡催生责任真空，使纪录片创作陷入技术支配的哲学困境。AIGC 作为新一代数字媒介形态，呈现出媒介工具特有的内在悖论，进一步加剧纪录片的真实性危机。本文结合国内外具体创作实践案例，采用实证研究与理论思辨相结合的方法，以海德格尔“诗性思维”为核心指引，从技术工具性辩证回归、诗性表达对抗、伦理规范建构与人文价值重塑四个维度，探索数字时代纪录片真实性的重构路径，为技术赋能下非虚构影像的可持续、高质量发展提供理论参照与实践启示。

【关键词】AIGC；纪录片；海德格尔；真实性

The "Gestell" Dilemma and Reconfiguration of Authenticity in Documentary Production

during the AIGC Era

Wang Meng

(1.Northwest Normal University，China)

[Abstract] The explosive iteration of AIGC technologies in the era of artificial intelligence haspropelled documentary production into a new developmental phase characterized by "human-machine collaboration and the fusion of virtual and real dimensions." Against this backdrop, this paper adopts Heidegger's critical philosophy of technology as a theoretical framework to systematically examine the deep coupling relationship between AIGC technologies and documentary production; it argues that the technical essence of AIGC aligns with Heidegger's concept of the "Gestell" (Gestell), which transforms all things in the world into "Bestände" (existing entities) that can be computed, scheduled, and utilized through a coercive logic; this process triggers a tripartite deconstruction of documentary authenticity: namely, the disruption of the "indexical" correlations within imagery leads to a disconnection between simulation and reality; the creative subjectivity is profoundly alienated by the technological logic; and an imbalance in human-centered ethics gives rise to a vacuum of responsibility, thereby plunging documentary production into a philosophical dilemma dominated by technology. As a new generation of digital media forms, AIGC exhibits inherent paradoxes characteristic of media tools, further exacerbating the crisis of authenticity in documentaries. Drawing upon specific creative practice cases from both domestic and international contexts, this paper employs a methodology combining empirical research with theoretical reflection, guided by Heidegger's notion of "poetic thinking," to explore pathways for reconfiguring documentary authenticity across four dimensions: the dialectical return to the instrumental nature of technology, the confrontation with poetic e­xpression, the construction of ethical norms, and the reshaping of humanistic values; ultimately, this study provides a theoretical reference and practical insights for the sustainable and high-quality development of non-fiction visual works under the influence of technological empowerment.

 [Keywords] AIGC; Documentary; Heidegger; Authenticity

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